Carla Meyer

Download Now Server 1 Download Now Server 3 Download Now Server 2 YWFT Hugo has a broken, scrawled quality that commands the viewer's attention by making them slightly uneasy: who is responsible for this crazy script, and more importantly, are they a safe distance away? At the same time, YWFT Hugo radiates a childlike innocence and joy, big sloppy blocks haphazardly forming words. That's the power of YWFT Hugo —it can go either way depending on your context. Its urgent simplicity and unique staggered quality make it the perfect choice for poster art, web design, packaging, educational tools, social media, art projects, branding, magazines...wherever you need a sloppy, blocky, abstract print. YWFT Hugo includes opentype features like alternates, and a larger 500+ glyph set. YWFT Hugo

Download Now Server 1 Download Now Server 3 Download Now Server 2 Hokaplay - Playful Display Font Hokaplay is a playful display font that creates with a very good concept and adjusted well to keep the legibility. Hokaplay Playful Display Font Comes with upper and lowercase Standard Characters, Punctuation, Numerals And other Glyphs variation of the OpenType features/ Ligatures. Hokaplay Playful Display Font is suitable for logos, posters, school flyers, university banners, modern advertising design, product labels, cartoons, kid books, custom mugs, pillows, t-shirts, youtube thumbnail/cover, poster quote, editorial design, book/cover Title, website/blog, social media post, packaging designs,, and other designs. Features; - 2 Styles; Regular and Rounded - Standart and special ligatures - Uppercase, Lowercase, Number, and Punctuation - Works on PC & Mac - Simple installations - Accessible in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on M...

Download Now Server 1 Download Now Server 3 Download Now Server 2 Minigap is a geometric sans serif family that has a minimal height difference between upper and lower case. In other words if you’re into typography, it has a very high x-height... yes, very high. The choice was made to finally have a typeface that could appear very neat, reducing ascending and descending parts of the glyphs (b, d, g, j, l, ...) that could interfere with the lines above and below. All of that without going to extremes in a unicase style but also without renouncing to a great legibility. This aesthetic, in fact, translates into a pleasant visual effect that creates well-defined lines and enhances the layout, looking excellent on small screens. A meticulous optical correction, starting from pure geometric lines, was applied to every glyph, aiming to obtain the best version of each. The pointed corners of capital letters and numbers have been kept even in the heavier styles, to give ...